Christopher Nolan has done it again.
There are few movies I would say I am willing to pay to watch again. But the past few years have delivered them. Nolan’s The Dark Knight is the first. Watchmen and The Hurt Locker are the others.
Inception is the forth movie to add to that list. It’s that good.
I should first say, don’t watch Inception if you’re not into intellectual movies. It’s deceptive. Those into action might be lulled into seeing it for the action and stunning visuals. And the visuals are as nice as they are mind-screwing. But Inception is a movie for the intellect. It’s a workout for your brain Dr Kawashima would be proud of, and if you’re not prepared for that you’re going to miss the point.
Imagine Ocean’s Eleven mixed with the reality distortion of the Matrix and you have Inception. But Inception is a masterpiece in how the story comes together. Inception demanded a whole new premise to be created. New rules, a new culture all have to be explained to the audience for anything to make sense. The bigger challenge is giving the audience all this exposition without them zoning out and missing vital information. Inception does it by taking us through the shoes of a newbie, played by Ellen Page, as she learns to navigate the world of Inception. It’s one of Nolan’s few cliches in a plot that was all too easy to cheat with, but it’s carried through by the visuals, little facts about dreams that anyone who remembers their dreams (I don’t) will relate to, and the Dicaprio’s character backstory, which is just interesting enough to matter.
Nolan is aware of all the clichés these plots typically fall for, and he either avoids them or teases you with the possibility of the twist he knows you’re expecting. Intellectually, it’s a movie you will not forget and one you need to see.
Despite it’s length, Inception is fast paced. Unlike Toy Story, it does away with setting up the situation quickly and jumps straight into the planning of the great break-in. The pace only adds to the allure of the story. As you struggle to keep up with it, things slot into place to complete a web of wonders that is executed wonderfully towards the films end.
But that doesn’t mean the movie is flawless. You get so caught up with the twisting story that you don’t even really learn the names of the characters, let alone truly care for them. Me and my girlfriend refer to the characters by the actors, because we never learnt anyone’s Inception name. At the same time, as the whole point is to get Leo home, the success or failure of the mission doesn’t matter. You want to see them succeed, but only to see the puzzle come together. Cobb (Leo’s character) is hired for a mission and is given a 30 second explanation for why. It would have had more resonance if it had all had more importance. As it stands, their failure doesn’t really matter. And it takes much away from what should have been an opportunity to add emotional depth. But this is all played down somewhat by the fantastic acting. You may not empathise with the characters, but they are entertaining and play their parts wonderfully. Tom Hardy, in particular, really steals the show.
Overall, Inception is a visually and intellectually stimulating movie with fantastic acting let down only by a lack of empathy, leaving you with the feeling that this fantastic movie had the potential to be even better.
But Inception is still an awesome movie that I can never really capture with words. All I can say is I will be buying the Blu-Ray on its release. And that says a lot.
You put my thoughts into words. This movie isn’t for everyone but it is one of the best of 2010. I saw it twice in 2 days. You have to be able to follow the movie not just watch
I agree. It was good.
But… you know my aversion to endings that leave things up in the air… where one of the possibilities is kinda negative… lol
Was it a dream or not?
I’d like your clarification before i firmly decide on my choice
Okay, the end. It was real.
I know people are going to think it through *far* more than it needs to be. But:
1) He had his big revelation when he confronted his wife in limbo. That killed almost all his motivation to go into a dream.
2) Ken Watanabe, whatever his character’s name was, seemed to realise who Leo was. The only reason he would not have gone back with him was because he didn’t believe it was a dream. All indications show he was realising it.
3) His children turning around. Symbolic and intentional break from the dream world.
4) The damn totem was falling!
4 being the big one. 1-3 just showing it’s consistency. In the dream world it span perfectly. Sure it span for a long time at the end, but that’s perfectly possible in real life. You just saw it. But it was clearly falling.
I think the whole thing was blown out of proportion. I went away with no feeling other than it was real, and that the end was just a cheeky wink from Nolan to the people like me who he knew would be suspecting the big “It was all a dream” twist.
I also walked away knowing people would obsess and over-theorise a pretty self-explanatory end. And I told myself these people are to be ignored.
It’s like the ending of Lost, in that regard.
lol
To be ignored are they? I’m sorry… did I not just ask you that very question
But yes thank you. I was almost positive it wasn’t a dream :p it just didn’t make sense the other way
Awesome
I can now move on and now be bothered by the ‘up in the air’ ending
not*